Experience, Write, Publish: Thoughts on a Memoir

 

I’ve never been drawn to reading memoirs, autobiographies, personal essays, or creative non-fiction. It feels to me that people can say almost anything in those literary forms. Selectively choosing moments that fit into the conventional craft of writing fiction. It’s like those movies based on true events. The screenwriters dramatize the story and your left wondering what exactly happened and what was changed for dramatic effect. The truth is always elusive and that genre really makes it too apparent for my comfort. And anyway, my life is far from typical, muscular dystrophy, mediation, immigration, and intense emotion. Maybe that’s just a little too much ego there, but that’s the starting point.

 

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A writer I’m following that writes great satire. I’m totally new to reading satire.

 

Around a year or two ago, things started to change. I discovered Medium for the first time. Medium is this micro-blogging site taking off right at the moment. It was a hidden writing community when I first joined. A lot of things changed from that time. Getting sold to Facebook and the introduction of membership. Medium specializes in creative non-fiction, point of view pieces, and lastly, fiction. Now it’s shifting to listicles like the rest of the web, sadly. Throughout this post, I’ll link out to the best articles I’ve read on Medium.

 

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A listicle I actually liked reading.

 

I went there from a link on Facebook, originally. I don’t read news frequently, and Facebook mentions are what I go by. Reading the news feels too real for me. I logged in and found a few stories, not in the news like the refugee crisis in the Middle East. A POV piece by Piper Perabo visiting a midway point in the refugee’s path. That happened a few times.

 

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That POV piece by Piper Perabo as mentioned in the paragraph above.

 

Then I dived into the creative non-fiction and POV. It was a window into the life of women. Medium has a surprising number of things I had never been exposed to in my entire life. Pieces about the bad experiences that a ridiculous number of women have gone through, sexual violence. Things like rape, unwanted sexual attention, harassment, inappropriate gestures, and trouble with mostly men.

 

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One such piece.

 

 

 

My thoughts were astonishment. For a really long time, I couldn’t figure out how women even functioned in society. How could people get out of bed with the looming threat around every corner? Knowing it was virtually impossible not to run into someone that had done something like that in the past. It was unfathomable that was the case in 21st century America. This is America. How is it possible?

 

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The possible future state of America.

 

Sure we could blame so many things. The over-sexualization of American culture, women, and body image. But the cause isn’t the big issue. What can we do now? How do people still function?

 

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This is an article about Pick-up Artists and Ovid. I used it to help research a character I was writing for The Trouble With Dreams.

 

Simple. By accepting the condition as it is now. Continue with life as it is. And wait for change. Is that really what’s going to happen? So far it has.

 

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A story of finding yourself.

 

I’ve basically gone on a rant of incredulity for the last handful of paragraphs. Let’s return to the topic. What changed after discovering Medium? Not much. I subscribed and tried writing a few things. After that nothing really changed.

 

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A story of not belonging.

 

Then I read Eat, Pray, Love. I’d watched the movie ten years ago when it came out. I didn’t think it was a memoir. The movie seemed too neat to be real life. Everything fit perfectly together and smoothly transitioned like fiction. I’ve seen a ton of biopics, but it was never so neat. I happily went on for years, bought the book, and eventually read it. It had always been a memoir. The book wasn’t as neat as the movie, but the events were rearranged a little, to fit conventional storytelling craft. I kept merging the images from the movie with images I constructed in my head. Reading to me isn’t a series of phrase but a series of pictures based on the written text.

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Liz started in New York and her messy divorce. The book spent way more time before the travel started. The mess with her rebound relationship. Then the happenstance of finding her guru and the Balinese Medicine man. With that, her travels began.

 

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Got to love satire. For the longest time, I didn’t.

 

In Italy, there was so much more than food. Learning the language and living in a city for months. I never knew so much research went into a memoir. Liz explained why Italian is such a pretty language. I fell in love with Italian through reading it. I’ll admit, I wasn’t very enthused to read my first memoir. If Liz wasn’t so funny, I wouldn’t have finished it. I found the description of tastes wanting. I haven’t eaten solid food in years and wanted to imagine the tastes of Italy. The taste should run a few paragraphs in my mind. I was glad to see she asked the locals what was good. That’s the only way.

 

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Ella Dawson. Written really well.

 

The Thanksgiving was a big difference between the book and movie. In the movie, they fell asleep in the dining room. But in the book, the turkey took way longer to cook than they expected. Turkey was for breakfast.

 

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Another article I liked.

 

Then it was off to India and the ashram of her guru. India is a very spiritual place. The saying goes, you walk a few paces and run into a guru of some kind or the other. Gurus are that plentiful in bigger cities. Liz went to a remote ashram filled with foreigners and local devotees. I don’t agree with a few things. I have never learned from a guru and figured out meditation mostly in isolation. I don’t think a guru has to bless you to have a chance at enlightenment. Learning in isolation leads to a longer, meandering, and wandering journey to the same goal. Three months isn’t enough to learn a self-guided meditation practice. I have a lot to learn about describing meditation practices. When I try to explain meditation or my deep experiences, the person listening doesn’t understand what I’m saying. I’ve spent too much time in self-monolog and isolation, that explaining things in an understandable way is really difficult at times. Before writing a memoir on me, I need to learn how of write deep things in a way that other people get.

 

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A deep discussion well written by another writer I like, Emma Lindsey.

 

I don’t believe a set of holy words must be used as a mantra. A mantra should have the required associations in the mind. The final description of Liz’s experience with the divinity inside her wasn’t that clear to me. Some experiences can’t be put into words even by the best. I was nice to see the ashram through the author’s eyes.

 

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A perspective on defining something that shouldn’t need defining in a perfect world. 

 

The Bali part was about balance. I would state it as filling your life based on your loves. Whether it’s meditation, writing, and thought or meditation, love, and writing. Ketut and Balinese culture were strangely familiar to Indian culture and weirdly different. Liz had so many facts and peculiarities that I enjoyed reading. Meeting Filipe was interesting. Ex-pats are a microcosm of the world writ large if everyone wanted chill above all else.

 

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Emma Lindsey figuring things out for us.

 

Her dealings with Wayan, another healer, and Ketut, the medicine man were interesting. Sometimes Ketut didn’t remember some things. And Wayan was a rarity there. She was divorced. The family is really important in Bali and acts like a compass to help navigate the world. Wayan and Liz were both divorced. Then Liz finds a way to help Wayan and works through the hiccup associated with it. Ketut teaches Liz a few mediations and many life lessons.

 

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A possible answer.

 

The third to last chapter felt odd to me. It was a flashback to her first trip to Bali. Liz was silent for a few weeks on a remote island. She eventually discovered that her current life wasn’t working and she needed a change. It felt like an epiphany and it came in the right place. It was placed out of time, towards the end of the novel. The sequence of events in time doesn’t matter to the sequence of the memoir. The majority of the events should be in chronological order but a scene here or there is fine.

 

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Another article for book research.

 

The memoir worked like it was supposed to. Reading a genre before writing in it is essential to the craft. Not sure which ones I’m going to read. I have no idea when I’ll even write a memoir. Everything is up in the air. I’ll work towards getting my deep experiences across on the page. Sometime down the line, I’ll try writing a memoir, maybe. Experience, Write, you know the rest.

 

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A woman working through illness.

 

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Story Engineering: Getting Down to the Story Mechanics

 

Larry Brooks is a published author that has writing classes/workshops. In Story Engineering, he shows us what he teaches his students about writing fiction. Apparently, writing a screenplay is very easy in comparison. Books out there detail the rules required in an acceptable screenplay. Larry Brooks has brought that over to fiction writing. If you ignore the condescension of organic writes, the book brings a needed insight to novel writing.

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Story Engineering starts with an argument against the formulaic nature of planning out a story using his components. The difference between art and putting matching things into a formula is the whole is greater than the sum of its parts. I wasn’t sure exactly what that meant while reading it. That’s one of the few things not explained in Story Engineering. I figured out a possible explanation. The various story elements, concept, story structure, character, theme, writer’s voice, and scene construction have a synergy between them. Each element builds on another. For example, first person, solitary confinement, weak mental state, and being alone is inhumane. With first person, we are with the inmate at all times. There’s minimal interaction with other people. Add the weak mental state and there’s a compelling story. Add examples of what other inmates in solitary confinement come out as. That makes a pretty good story right?

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Concept is the central question of the story. Story structure is the pacing of the story. The author does a really good job of getting this point across through the book. What plot event should happen at certain points throughout the story? Several movies and books are discussed as examples. Every book and movie I remember follows the plot events. I’m not sure about the timing yet.

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Character is presented as a personality selector you would use in The Sims. Different characteristics that can be tweaked to show the universality of humanity. Figuring out how each characteristic affects the others is where the art part comes in. Then the character arc. That was completely new to me.

 

I use a few lines of research to understand how characters operate. First, observing people and imagining what goes through their heads. Talking to people and looking for the motivations. Deeply analyzing my psyche through meditative practice. And method acting in my head. What would this character do if that happened?

 

Theme is the meaning behind the story. The story can give an opinion or explore a question. Figuring out what to say helps put it into the novel.

 

Writer’s voice is something that needs to be discovered through writing and trying different things. Scene construction states each scene has a mission. The scene needs to be short enough to accomplish its mission.

 

Reading Story Engineering will forever change my novel writing. I was already close, and now I get it for the first time. Larry Brooks knows his stuff. Great book Mr. Brooks.

 

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The Benefits and Nerves of Writing Groups

 

This is a guest post from my friend, Cori Nelson. She’s a writer of children’s books and middle-grade novels. Right now, Cori is writing her thesis. She traveled halfway around the globe to continue her writing career. Check out her WordPress blog and scroll through her tweets if you’re so inclined.

 


 

Writing is a lonely business. That seems like a pretty generic statement, but it’s true! As a writer, you sit alone with your computer or notebook and argue with yourself over and over and over about plot and grammar and spelling. Being trapped in your own head all the time is not only lonely, but it can hinder your ability to make good decisions (not to mention drive you completely crazy). This is why I think every writer should join a writing group.

 

This year, I’ve been studying Writing for Children at the University of Winchester. Through the course, I’ve had to share my work in progress with others and then receive instant critiques on my writing. As an introverted, I’m-fine-sitting-in-the-corner-by-myself kind of person, I was very nervous about this concept. I remember reading my first piece out, my voice and hands shaky, my brain forcing me to read at top speed to get it over with. But afterwards! After my voice faded away from the room, after the short awkward silence that follows any reading, after everyone stopped writing down their thoughts on the excerpt in front of them and looked at me, was amazing. My classmates, people I had just met for the first time a week ago, went around the room and told me all of their thoughts, good and bad.

 

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It was incredible. And it felt so good to share my writing with others and have them not only like and understand it, but give me feedback that was helpful, too.

 

Receiving the feedback immediately after reading my writing out was great, too, and something that I think makes in-person writing groups better than remote. It’s nerve-racking enough to read your work in progress out in person and getting feedback right away. I can’t imagine the agony you would feel sending your work in progress to someone and having to wait weeks for their thoughts. Plus, as a children’s writer, I like to write funny. There is simply nothing better than reading something you wrote out loud and listening to your group members laugh at the moments you were hoping were actually funny. That’s something you cannot get with a remote writing group.

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It can definitely be very scary to share your writing with others, as writing is a very personal thing, but there are so many things you just do not catch when reading through your own work. Your eyes glaze over a missing ‘the’ just assuming it’s there, your brain tells you that a sentence makes complete sense, when really it’s just a jumble of nonsense. Someone unfamiliar with your work, though, will catch all of those things. She’ll notice when you’ve used the same word twice within two sentences and when one character sounds the exact same as another and will ask the all-important “but why?” to a scene that actually, now that you’re thinking about it, doesn’t make a whole lot of sense. Having someone else read your work is so helpful, I can’t say it enough!

 

All of my classes here in Winchester were designed to have a lecture for the first half and a workshop for the second half. Eventually, I began to yearn for the workshop half of class, especially when it was my turn to read and there was something I was stuck on with my piece and needed to discuss.

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Along with helping you find grammar and spelling errors, and helping you to better understand your own story by asking questions and giving suggestions, a writing group is a great support system. The group I’m in now (that I sadly have to leave in less than a month!) is amazing, to say the very least. It is made up of some of the most talented children’s writers I have ever met. Each and every one of us is devoted to each other’s writing as if it’s our own. When one member of the group has a victory (like hitting a word count goal), the entire group celebrates. When a member has a setback or is doubting themselves and their work, the entire group comes together to reassure them that they’re not a terrible writer, to offer suggestions to help stimulate new ideas, to offer the sympathetic and always appreciated “it’s going to be okay”. And when a member is having irrational thoughts about their work in progress, the entire group is there to help talk them off the ledge, to remind them that an idea had mid-dream is not always the best idea, and that “no, rewriting your entire dissertation two weeks before hand-in probably isn’t the best idea.” talking from experience, here. I honestly had a thought about rewriting my entire book even though it’s due at the end of the month. Thankfully, my writing group members stepped in with some rational thinking to save the day.

 

It’s important for everyone to have people like this in your life, true. But as a writer, I think it’s even more important because they’ll help you to keep going. As I said earlier, writing is a very lonely business. It is so easy to get lost in your own thoughts, especially the bad thoughts that tell you you’re not good, that your writing is awful, that you should just give up.

 

JK Rowling got hundreds of rejection letters when she started querying Harry Potter. As did Stephen King before he made it. As did Kate DiCamillo. As did every single author who’s ever been published. And I can guarantee you that all of them had a support system of some kind to help them get through the many rejections. If not an entire writing group, then at least someone who believed in them and their writing. At the end of the day, what more can you ask for?

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The Forest for the Trees: The Way to Be a Fiction Writer

 

Betsy Learner is a writer, editor, and agent. In The Forest for the Trees, she offers a collection of sage advice for any writer, especially when you’re questioning your ability as a writer. Reading this book helped a lot. I’m on the right path and need to wo4k more before I get there.

 

The first half of the book identifies several different types of writers. There’s something in there for everyone. I identified with several things that matched. When I’m the most truthful and unafraid, my writing is at its best. Very few writers are naturally successful. The vast majority need to work really hard to get in and become something. The process of writing and getting good is a long process. Write, get feedback, make improvements, write, and repeat until you arrive. Throughout there are many examples from a ton of successful writers and how they got started.

 

The second half of the book is about the publishing side of things. Betsy tells us how she started and moved through the publishing world. These are my biggest takeaways. Sometimes you find a person that can voice your inklings about something you wrote. A good editor should also alight on those things. Query letters are replied in several ways. The first stage is a form rejection letter. Then a form letter with a little personalization. Third a personalized response and finally an acceptance letter. Seeing the process of traditional publication was like witnessing someone else living your dream. One day, that’ll be me. I’ll get there.

 

Later guys.

 

GK

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How to Learn Photoshop for Bookcovers

 

Photoshop is the professional standard for book covers. The question used to be if Photoshop CC was worth the nearly absurd cost. For the first time desktop software leasing made sense. 6,000 bucks is unbelievably expense. Adobe’s Photoshop CC is now 19 dollars a single month or 10 dollars every month for a year.

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The big question is do you really need Photoshop CC or will the consumer version, Photoshop Elements, be good enough? Photoshop Elements is missing a few things that I think separate something that looks professional and something that looks shabby. What features am I talking about? Blend modes and the opacity slider. The blend modes allow more control in the way image layer over each other. If composting two images is required, blend modes are huge. The opacity slider controls how strongly one image imposes on everything below. Another big one the text kerning or fine tuning the spacing and position of each letter. Almost every single book cover I’ve ever seen use kerning, stretching letter, composting, and blending tweaks.

 

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Making a book cover requires a few things. Access to Photoshop, a book cover idea, a repertoire of Photoshop effects, and a collection of stock photos that can be used for a cover. The last one is the toughest if graphic design isn’t your day job. Look at this list over on Medium for free stock image sources. Check the usage rights always. Watch a ton of Youtube videos to build a repertoire of Photoshop effects. Look at an earlier blog post for book cover ideas. Now we have everything we need.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Photoshop isn’t a daunting thing to learn. The entire process is basically the tweaking and playing around with sliders governing everything in there. You can be artistic or not. It all comes down to comparing an image before and after every change that’s made. What looks better to your eye and such.

 

I’ll show something that I stumbled into while trying to do something else. I had this image. I wanted to add another image around the color gradations (one color changes to another). I tried making a highly detailed mask by copying the picture and getting the difference from the original slightly shifted. That got me something strange. It looked like an interference pattern.

 

I tried removing the color from both. Didn’t work. Then I started playing around. Trying every possible combination of color and no color, each blend mode, opacity level. Something along the way looked interesting. That’s how this happened. More details here.

 

In two weeks, I’ll post a gallery of everything I’ve done so far, photo-manipulations and book covers. Another fiction post coming up soon.

 

Later guys.

 

GK

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The Things Separating Man and Beast

 

A fictional construct of the mind.

 


 

I hang, suspended by this ball of cast iron bars, high up in some leafy mammoth. A firm, swift tug on the rope holding the cage — through some form of pulley — sends me down from whatever method of comfort I have necessarily employed. I land with the grace of land-bound seal or walrus upon the welt-inducing corrugation of metal bars and air. The descent into the light penetrating fog — beautifully hiding the goings-on at the surface — perpetrates an animalistic, lizard-brain originating rage through me.

 

The moment of release lies near as through thickening fog a group emerges. The usual screams and yells of fear, anger, and hatred fill the air accompanied by a single wail of deep longing and hurt. From within the heart of the assembly, two people, my parents come forth, tear soaked and still streaming. I extend one arm by the cage, out to them, which they hang to with desperate and strong hands. At this, my ascent to prison and isolation begin as every other day, my endless cycles of suffering continual. Grabbing the bars (seen as fitting) is the recourse of choice. I shake my cage wildly, issuing a guttural sound from deep down. An abrupt drop of this cell knocks me out.

 

GK

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The Books We Read Make a World of Difference

 

Reading will always go hand in hand with writing. Current reads are the tools we use to find what works for readers. Sometimes it’s easy to forget during the solidarity of the writing process that we write for others to read. The accepted content varies over time. For example consider a novel like Vanity Fair. In the 1800’s, extensive backstories and drab descriptions of settings were in good form. Exactly like Shakespeare. In the 1600’s, iambic pentameter or heptameter of George Chapman was popular. These days it’s concise prose without too much unjustified extra content, like backstory and description of the mundane. This will be about a few books I’ve read recently. I won’t keep you in suspense. They are The Amazing Adventures of Kavalier and Clay by Michael Chabon, Sharp Objects and Gone Girl by Gillian Flynn, Station Eleven by Emily St. John Mandel, The Goldfinch by Donna Tartt, Infinite Jest by David Foster Wallace, and Storm Front (Dresden Files #1) by Jim Butcher.

 

One of my writer friends recommended The Amazing Adventures of Kavalier and Clay, a Pulitzer Prize winner. The story is nearly an alt. history of the heyday in the comic books, the 1940’s through 1960’s. Along with Stan Lee and Sam Kirby, add Joe Kavalier and Sam Clay. Kavalier is a Jewish refugee from Nazi-controlled Europe previously the apprentice of an escape artist. Clay is a misanthropic writer interested in comic books and becoming the next great American writer. Clay penned the inking and Kavalier did the illustrations. The story followed their lives for the next two decades.

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This book taught me a few valuable lessons. Literary prose works for established writers. Getting people to read literary prose from a yet unpublished writer is asking too much. Chabon used lots of words that were new to me like prestidigitation, opprobrium, and razz among others. A pre-collegiate vocabulary isn’t enough to write at a high level. Chabon frequently went on tangents, devoting page space to the stories written by Clay. Large parts of the book detail the fictional comic book heroes, The Escapist  and Luna Moth. I liked these parts a lot. Chabon made me wish to actually read the comics he described. The Escapist thrilled me. Luna Moth was perfectly hot and written with style. Going on tangents can work if done expertly.

 

Two books by Gillian Flynn taught me a lot. I’ll start with Gone Girl, the one I read first. The story started with Nick Dunne waking up next to his wife, Amy Eliot Dunne. We follow along as Nick left their house that morning. We watch the events as he discovered his wife is missing. Nick’s experiences through the investigation is chronicled. In the meantime, we read through Amy’s journal from the night they first met onward.

 

Gone Girl was amazing. Flynn found a way to justify an incredible amount of backstory. In Amy’s journals, we are looking for an evidence that Nick is capable of killing his wife. Amy left a series of limericks as part of this anniversary tradition they have. This allows Nick a chance to relive even more memories as he follows Amy steps before her disappearance. Throughout Amy’s journal, she wrote a series of multiple choice questions. After all, she was a quiz writer at some magazine. The story is allegorical to the dynamic within a marriage. Strong writing brought the story through easily to the reader.

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This novel taught me a few important lessons. Great writing with a great story sells. Gone Girl was on the New York Times Best Sellers List for over two years, won two awards, and was made into a movie. A well selling book is relatable. Intense literary tendencies can work if done really well or above par.

 

Sharp Objects is about a young reporter returning to her hometown, to follow-up on a serial murder investigation. Going home, brings back a lot of old memories. Everything is creepy in a way that adds character to a small town. The end is nearly impossible to figure out.

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A few lessons saw me through to the end. There is place for complicated sentences in modern, non-literary fiction. Feel free to include introductory, dependent, independent, and concluding clauses as long as the coherence or smoothness doesn’t reduce. Details are okay if it adds something like a feeling you want to convey, hints, misleads, or does something to make the story better. It doesn’t matter who you are, traditionally publishing a first book over 200 pages is incredibly difficult, if not impossible without something else going for you. Gillian Flynn was a reporter for Entertainment Weekly and her first book is 200 pages long.

 

Station Eleven is a literary science fiction novel that redefined what sells. The story follows the creator of a small batch comic titled as Station Eleven. The comic was about a lone doctor on space station destined for destruction. We follow the comic author’s life through her relationship with a previously famous actor and beyond to death. The actor connected with a young girl on the set of a play. We follow this young girl after some type of apocalypse. Another character is followed through the cataclysm. Basically a literary novel without an easily defined plot but gives a feeling of actually being there.

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Emily St. John Mandel is a great writer that has a lot to teach. I remember this one sentence that, simply put was amazing. I read this one sentence that perfectly summarized the work duties of an executive assistant. This sounds boring but encapsulated in a richly complex sentence made it interesting beyond belief. After reading the paragraph, it was stunning to see it was all of three sentence. I have a ton of work left to be that good, especially that smooth. Literary novels follow characters, things, and places through a series of event to shed light on existential questions. Keeping the reader oriented can be difficult, but when it works, you can do anything.

 

The Goldfinch follows the young Theodore Decker after his mother dies in a tragic museum explosion. He spends a years with his gambling father in Las Vegas. Then we see years an apprentice and an antique dealer. Finally married to a beautiful woman. Through it all, we feel his emptiness and longing for what he lost all those years ago.

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This book is dense. For maybe the first time, a modern book required me or the reader to slow down and take in everything. I can’t imagine writing and editing a book for ten years. My motivation wouldn’t survive that long for one project. Literary novels create experiences with beautiful imagery. This can be done by making the ordinary pretty or choosing events that allow lavish imagery. Donna Tartt does this through a series of drug experiences and smoky, dark scenes with nothing happening very fast. There is literary and then there is great literary.

 

Infinite Jest is the longest book I’ve ever read. David Foster Wallace wrote a book that’s a traumatic experience to read. It incorporates a little of everything from drug addiction, depression, film theory, world diplomacy, tennis, and North American diplomacy among other things. The story follows a family that owns a tennis academy, a rehabilitation center just down the road, and a meeting between American counter-intelligence agent and a double agent from a Canadian terrorist group. That meeting got annoying with the frequency Wallace returned to it and its length. The use of parentheses to denote the antecedent of pronouns was frustrating. The ending left me disappointed. There was such a long build-up and the ending was outside the time frame of the prose. Wallace doesn’t hold our hand through to the end and shoves us to figure it out. The length made me really struggle to put the ending together. All that aside, Wallace gives us an almost unabashed look into the human psyche at its worst.

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Wallace gave me a few irreplacable tips. Merging different styles can slow a read down but you need literary clout to keep a reader in it. Infinite Jest uses ebonics, first person, third person, monologue, footnotes, and various other styles throughout. Detours are again okay. A grasp of words beyond most, makes a book really hard to read.

 

Then we have Storm Front (Dresden Files #1). A wizard/private detective investigates two different cases. The plot is rote. The two cases have to collide right? Add in wizardry, a police detective, a overseeing wizarding board breathing down his neck, a few rules about what’s allowed, and dark magic to get Strom Front. The language simple and easy to digest. The wording steps out of the way and puts the story front and center.

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I learned a lot that supports everything I’m getting into. Simple construction works really well. Readers like familiarity. The woman characters are femme fatales with a slight variation, usually. We have a hot reporter with a pen instead of a gun. A pretty detective with a badge and gun. A true femme fetale with information and no gun. I really liked a scene where the wizard questions the woman with information. Butcher does a really good job describing her smoky, contralto voice. I did something like that but not really well in my first book. I need to keep working on maintaining a feeling for an extended period of time. Keep the action coming and use the lulls wisely. Choose when to give exposition and what to say with care. Add something new to the genre like the present day, vampires, and sex as used by Butcher.

 

Reading is invaluable to a writer. It has always been a big part of my life and will continue to be. These books were read over the course of a year. Another year of reading will bring more lessons and interesting worlds. I look forward to it. Come back in two weeks for the next post. Until then, Graham Kar out.

 

GK

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