The Sum Of An Empty Life

I praise the master, David Foster Wallace.


Walking in through the industrial-designed door, passing over the id scanning arch, reaching up to my forehead for a quick itch when something forgotten returns. Security wants me in for a new badge and posterity pic, some mundane ritualistic occurrence right over there at the guard’s station. On my way, a few sips halve my remaining third cup of lukewarm coffee. Norm as the badge says, parses the screen before him for my id scan, relevant data, and why I should stand before him. The mute Norm points to a lighted X just beyond the faux stone securities desk. A blinding flash of light averts my gaze with the classic id pic’s grimace.

 

Someone trapezes back and forth over the security scanner, each time flashing bright red sans alarm, until the gate arch engages green, the pacer crosses over, and approaches the stone faced counter alongside me. A hand on scapula tells me this person — whoever he is — knows me, but I haven’t seen his visage yet. I turn to Brian Whalen, the glassless math geek, college roommate, the always confidence of someone born with good looks, cleft chin, meaty eyebrows, the remembered mane trimmed to something corporate worthy, a bow tie with the black suit on white, a briefcase, and a bear hugger (familial trait). There it is. My face blushes with the blood rush from a breath dislodging bear hug.

 

I wait over, by a couple of sunk-in chairs festooned over the lobby, while Brian sorts his badge issues, drinking the dredges of the bitter waker-upper, and plotting the incidence vector for a cup tossed into the open garbage, toss, and yes. Next, dispossess myself of this grey messenger bag and wait for the approaching Brian. He settles within the low-slung chair opposite, assuming a similar crouched position, rid his black combination briefcase onto the equally low table. Then the reason for the wait.

 

“Brian, last I heard, you were in academia. What happened?”

 

“Well C, it just wasn’t working out. Everything just stagnated after the first year or so. There just wasn’t that much there for me any more.”

 

That still deviates form who Brian is, the existential one, and the perpetual idealist magniloquent scholar. There a memory comes across of Brian’s, always with me as the subject. He’s probably getting something from me, regrets and maybe rationalizations. The same things I quest to know. His college girlfriend, now wife of one child, laid out on a breezy fall day, in a yellow, blue flowered dress under a cream waistcoat, marred with a line of blood matching a mid-thigh laceration, head tilled back almost over possibility, and sharply at that, bent along one spot, eyes staring to me situated at her back, crying, moving mouth devoid of all sound, and her hand in mine. Her hand, chilled to the bone and sweaty, throbs in my hand with life-giving pulse. A slow inexorable deterioration follows, circumvented, really forestalled by squeezing onto her clammy hand. Each time again results in a desperate journey to rescure the febrile beat to life, always there, but generally assumed. The fear, guilt, debility, panic, and fear of losing her push everything else away. The spectrum from blue through red flashes across my face, cold light, lacking any warmth. And I’m back with Brian.

 

He just stares across at me in disbelief from what he received.

 

“Brain, how’s everything else, otherwise?”

 

“Everyone is great. Lizzie, our three-year old defines overzealous in terms of practical anything.  Meagan enjoys the city.”

 

“Well, Brian I’m nowhere near as put together. About the only thing set is work, at this here quant.”

 

“C, it’ll be a big change from non-Euclidean topography in relation to EM, G, and QFD.”

 

“Later, Brian”

 

“Later.”

 

Brian departs, leaving behind his briefcase. I burden the messenger bag over one shoulder, the rumored man purser being me, and add his mini-legal-sized-suitcase. “Brian!” He just waltzes across the lobby at speed, stops, and searches for who called his name, while I eat away at my ETA. He locates me at a mere 3 feet away, where I stop, lower the brief case (sic) the remaining 6 inches to the floor, and slide it across with the outside edge of my left shoe’s sole.

 

Brian shakes my hand. “Looking forward to work under the same corporate overlords, C.”

 

“If we’re not careful, we could become one of them.”

 

Brian looks surprised. He retrieves a red knife handle from his pocket, switches out the blade and brings it over our hands, then he seizes. His knife arm flings out, launching the knife. Amidst violent contractions that send each muscle stiff and jumpy, his knees buckle and pull me forward with him. His hand pops off with a red impression. I just grab his briefcase, tuck it under an arm, and grab his abandoned knife, all after scanning the empty lobby.

 

I skedaddle out into the dwindling sidewalk. People walk all around while I head north beside the empty street — all in pastels, green, yellow, red, blue, violet, and orange. The people ferrying umbrellas dominate with a few unprepared and drenched into black stained coal miners — clothes and all. The rain falls down in little black rivulets suspended from the heavens, black rain today. The pastels remain mostly unblemished, except near the street and sidewalk, where footsteps and vehicles would splash up. I just continue soaking up the rare drop or two. All my fellow walkers weep tremendously, like spigots turned on within each eye, releasing not a steady drip, but a laminar flow exuding hence from the entire lower eyelid just brimming over. This viscous outpouring stains a triangular swath following the contours of body and cloth.

 

Around the corner and the next block up, a dirty yellow cab picks me up for a trip home.

 

(—)

 

I disembark at a glass fronted lobby of immense double-width doors. Inside the vestibule, meter high copper planters sustain floating lilies and the like, surrounding every wall excluding the elevators framed with stainless steel panels and the other set of doors opposite. I call the elevator with the electronic ping, wait for my ride, enter, and leave on six. A walk to the end of the hallway — past the doors leads me to my apartment. I deposit my keys, bag, and rain dappled coat by the door, liberating the knife and briefcase.

 

I scan my apartment for anything out of place, not that I’m expecting it. My set of four chairs and a couch (all royal blue) form the usual half-pentaform facing an ordinary sidebar. Only a push down on the top shows it to be a raising tv stand, hiding the complexities of components below sight.

 

A narrow interstice leads to an inch or 2 thick slab of frosted glass cantilevered on a tied up bundle of steel pipes stood on end. The black grease stained metal dining chairs serve host to black covered cushions. The black-trimmed straw-printed-and-colored rug underlay this eating ensemble.

 

On back, the beech cabinets contrast the piecemeal, random dark and light pattern of knotted and clean bamboo. A dark marble of almost black — veined in yellow and purple covers these said cabinets. I probably neglected the beech trim framing man-sized mullions on the three glass walls, dividing the apartment in two at the top of the doors’ height and segmented at 3 meter increments all around. The culinary grade appliances dwarf the standard kitchen fare with a twelve-burner, fold down broiler, pot-filling faucet, double-wide fridge with a sliver of a freezer, small dishwasher of course, and garbage chutes scattered around. The electrochromic windows are actually one contiguous pane bent at sharp 90 degrees on the edges and bends.

 

On the left, the solid bedroom doors hinge open from the remaining wall of trimmed glass. I ferry the briefcase onto the puce sheeted bed on a Japanese wide-edged bed elevation mechanism which requires kneeing into and rolling out of. I turn to the windows for the stair-stepped buildings down to the river, a quarter-mile away for some clue to the combination. A pain just then torments my left belly of such severity — I brace against the dresser. My thoughts dwell on what Meagan will never do again. Climb a flight of stairs under her own power. Feel her husband’s hand in hers. Heft up her daughter now and hug her in the future. Never being alone for even a moment further in her life, constantly forced company upon. My crying might be from the tremendous pain or tremendous sadness or inability except now to feel. The tears dry out and the password is one-three-seven-one-three-seven. Our shared dorm room number times two as if he expected all these happenings.

 

I press the latches, feel a slight jiggle of restrained rotation, and drag the cracked open briefcase over to the other room’s coffee table amidst the padded furniture. Opening the case as allowed shows three pictures, one of the three of them, one of his wife, and one of his daughter. Underneath is just a stack of blank printer paper awaiting toner.

 

I lean back in the plush couch to withdraw the knife, placing it alongside the extracted picture frames and closing the briefcase. I look at each picture for the associated memory. The first one shows the three of them laid out in a circle on grass, holding hands. I look up into the top-heavy branches, stripped save the uppermost foliage. The sun shines, slightly shifted (off noon) through swaying leaves. I look right to Lizzie in a pink sweater and jeans. She’s one of those kids born with pants on. Meagan lies to the right in red plaid with a beige skirt, legs crossed. The lush grass streams through my toes.

 

The next picture shows a before and after. First Lizzie cries at poolside while the swim teacher beckons her into the water, then swimming with some semblance to happiness. I remember Meagan telling me to do something instead of taking pictures every 5 seconds. We wrap Lizzie in a towel and settle her down. Awhile later, Lizzie successfully treads water. Meagan punches me and says “Jerk!” I say, “We can talk about how big a jerk I really am later.” I lean in and whisper this in her ear.

 

The last picture is Meagan waving from the top of a cliff. We were arguing which way gets us back to the car quickest. Meagan points with accusation at the trail map. “We are here and have to go here. This is the quickest way.” Tempers running high after ending up at a closed lookout following half a day travel suggests we both go the way we think instead of debating the merits either way. I go left and Meagan goes right after we both check our radios. I walk through woods, until a clearing shows me Meagan up on that cliff. We both end up back at the car. I chose the best way back. I grab the knife.

 

GK

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Inspiration for a Novel: Frustration with Science Fiction

Remember started as a novel written just for me, addressing my issues with most fiction published today. Every science fiction novel or tv show I’ve seen except with the notable exceptions, has elements that are easily disproved. For example, electricity can’t reanimate that dead but does kill the living. Reanimation requires a few things. The reverse of everything that happens after death. First stop decay by somehow sterilizing the body (probably take a few pages to describe everything rationally needed). Remember features details not easily dismissed without field specific education or research.

The shallowness of most fiction. I find it extremely difficult to reread or rewatch almost any content. My memory precludes anything except fictional worlds that appeal to my sense of aesthetic. The repeat experience usually lends no new insights except in rare cases such as The Life of Pi, The Matrix films, Mission Impossible (the first movie), and maybe Inception. Remember is a novel that shows something new with almost every read. My writing opens itself to multiple interpretations based on the reader’s perception and point of view, but still with a clear ending.

The experience of the protagonist doesn’t match well with the reader’s experience. If the protagonist is confused, shouldn’t the reader be just as confused The protagonist forgets the past, but the reader knows what happened. The numb feeling after killing someone. The listing of emotions without the effect apparent. Remember shows everything, usually before saying anything explicit about the situation.

Throughout the revision several changes took place, namely the transition from passive to active verbs. A good portion of the writing was removed to focus the novel further in the best direction. Trimming unnecessary sentences and redundancies helped along the way. A two month break highlighted issues with flow and rhythm. Everything led to the finished Remember, or so I thought. A beta reader found a lot of small errors. I’m writing another book before digging out those errors.

Remember needs work. That’ll probably happen over the next six months.

This is the back description as it stands now.

Conor Abby’s life as a research scientist disintegrates with the murder of Irena Mekova, the second closet person to him in this world of 2417. His life was complicated enough after a brain damaging vehicle accident. Working for a clandestine organization doesn’t help matters. A relapse of retrograde amnesia leaves the truth of what really happened locked away somewhere in his mind, if only he can Remember. Are their suspicions true? Did Conor murder Irena? Why can’t he remember?

Stay tuned.

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