The Secret History Versus The Goldfinch

Recently, I finished reading The Secret History by Donna Tartt. It’s about a college student by the name of Richard Pappen going through the process of starting college at a remote institution. He finds a group of people and a subject that consumes him. In the end, they get involved with the murder a fellow classmate.

 

I read Tartt’s other book The Goldfinch a few years ago. I remember it fairly well. It’s about a boy, Theo Decker. The book starts with the death of his mother. The entire book is about Theo struggling to find a sense of normalcy in his life. Ultimately, he finds solace in what life has to offer.

 

Reading two things from the same author is something that helps me see how to improve my own writing. Seeing another writer’s progression suggests a way forward. My direction will probably be an amalgam of the authors I like best. I thought a lot about the differences and everything the author carried across both books.

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Photo by Mingwei Li on Unsplash. Picture enhancements by Graham Kar.

Both protagonists are chronic malcontents. They’re unhappy in their lives. They cling to fictional versions of everything that has happened to them. Richard lies to everyone about his life back home in Californa. Theo clings to the remnants of his perfect life with his mother, in any way possible. That has do with the way they romanticize the lives of others and the past.

 

Romanticizing something imbues it with qualities that are rarely apparent when something actually happens. I think of romanticizing the past as embellishing it to feel some comfort that wasn’t there in the moment. Seeing the lives of others as better, whether that’s the truth or not, feeds into the self-fulfilling prophecy that your life sucks. Digging a well of self-pity rarely gives you a good feeling. I’ll admit this opens up a lot story possibilities. And sometimes that, above mentioned thought process strangles us. That’s where these stories start. Then something shakes everything up. Richard is always in that strangling thought process. Theo is too young to be disaffected without something going catastrophically wrong, the death of his mother.

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Photo by Daniel Páscoa on Unsplash. Picture enhancements by Graham Kar.

Frequently, Tartt casts characters with a dreamy air. Characters like Pippa and Camilla, as well as scenes. Sleepy in an ethereal light. That’s done with a few different elements. Elements like cigarette smoke, drawn shades, night time, dense fog, pure light, and drug induced states. That lends a slight fictional air to the proceedings, like lightening in Frankenstein. The environment lends a sense to what’s about to happen or has already happened. A drugged daze when the character feels lost. Cold when the character feels alone. Dream-like sights for the people we love romantically. A straight forward translation of a dreamy woman or guy. That nonetheless adds a unique dimension to her stories. The pictures and events described are picturesque and always interesting. Making the scenes simple wouldn’t work very well to translate the protagonist’s mindset. Saying a character is stuck with their head in the clouds isn’t the same as making it felt on nearly every page. Might I point out that this is very similar to how writers see the world. We examine mundane events to shed light on the human experience. It’s fascinating to see the part Tartt shares with us.

 

The protagonists love the unattainable. Pippa or Camilla depending on the book is the one Theo or Richard love. Not exactly them as people, but they fall in love with the idea of them. Theo is attracted to his first love and the possibility that if everything was different, they could be together. Richard loves the woman who is incapable of loving him. Camilla is in love with the strength of another. “We love in others what we most lack.” Richard H Stoddard.

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Photo by Arnaud Mesureur on Unsplash. Picture Enhancements by Graham Kar.

Richard dreams of Camilla and is dissatisfied with any other person. Theo knows it’ll never work with Pippa. They are broken in much the same way, and that can never work. Love of the unattainable is a continuation of their malcontent mindset. As you can probably tell, I’m masking a slight disgust and jealousy throughout this post.

 

The protagonist goes through the daily motions of life wishing for more. Theo attends school despite the turbulence in his life. He finds a job despite his obstacles. He gets engaged and on. Richard faithfully completes his assignment. He misses classes every now and then, but things work out. They find a way to keep from worrying, so the actual story has time to play out.

 

Drug high states are used for dramatic effect. That contributes to the dreamy quality present throughout the books. The descriptions of their experiences are interesting to read. I wonder how factual they are. It would be not that difficult to write from research and fictionalizing the rest. I suspect that everyone’s reaction would be slightly different. And drugged out experiences can be found if you look for it, as with probably everything these days. The characters take uppers, downers, and psychedelics throughout. The Secret Histroy features smoking and drinking. Theo does a ton of drugs with his friend Boris.

 

I’ll highlight a few differences. I really didn’t pay much attention to this while reading. The Secret History takes places during two years of Richard’s college existence. Identifying the time setting was tricky. It happened sometime be 1978 and the 1990’s. The Goldfinch follows Theo from middle school through to adulthood. It happens very close to the present at the end. Richard experiences guilt, and Theo deals with grief. Both of them never feel they fit in where they are. That’s something I’ve felt, and I really struggled to find my place in this world. When I started writing, that feeling waned a little. The more I pursue it, the more it feels more like I’ve found my place.

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Photo by Andrew Preble on Unsplash. Picture enhancements by Graham Kar.

Hampden College, the setting of The Secret History is as far from New York, Las Vegas, Amsterdam as you can get. The Goldfinch goes on in Greenwich, NY, a suburb of Las Vegas, and Amsterdam. The Secret History is more action based but sometimes feels like a series of conversations in dream-like space. The Goldfinch is entirely internal with everything else taking a backseat. Richard, the protagonist of The Secret History tries finding the best path forward to achieve his goals despite everything thrown in his way. Theo accepts that his life will never be as he has expected. He has basically given up because he was broken at such a young age. Theo does his best to gain the approval of others. When he goes after his own ends, things backfire.

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Photo by Roberto Júnior on Unsplash. Picture enhancements by Graham Kar.

I enjoyed reading both books. Any fan of literary should read them, if you haven’t already. Their experiences shed light on what we have going for us. The stories are superb works of fiction, and say something as it was never said before. The Secret History and The Goldfinch.

 

Title photo credit: Shiro hatori on Unsplash

 

GK

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Planting Ideas and Watching Them Grow

The process of generating ideas and expanding them is the most fun for me. I’ve always been an idea person. I also like trying to find the possible basis for an idea. For example, what’s the source for a story like Shutter Island? I think of it as a combination of the process of going insane, investigating the supernatural, and solving a crime. That was fun. Never thought through that story idea before. It explains it for me, but that probably isn’t the truth.

 

All ideas start as a seed from something we see in our daily lives. It doesn’t have to be something completely external. Frequently, it’s something that resonates with something inside. Anyone else witnessing the same event doesn’t feel the same way you do. Once the idea is planted, it can either grow or die right there. That process is the same, no matter if it’s a story idea or something that makes you see the world differently.

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Ideas come in two fashions. We have an epiphany or just a realization/new idea. An epiphany is a realization that you can’t go back from. An idea that changes everything, and there’s no way back. This happens to me generally over an internal struggle I’m having.

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A few years ago, I struggled with reawakening my emotions. My writing was emotionless and felt inauthentic. I needed to remember how it felt to really feel. Then things started building gradually up to something, an epiphany. I started seeing changes in my writing. I wasn’t struggling like I once used to, figuring out what a character should feel. I knew how those emotions would manifest externally. I started feeling more useless than I have in a long time. I stopped blowing off emotional passages in books. And then, the epiphany came. One night I was ridiculously bored. Then this horrible feeling took me over. I felt intensely hungry, not for food, but everything I had denied myself. Things like friends, honesty, connecting with people, and being myself. I felt angry and sad that I had denied those things for so long. Then the epiphany came. That was everything I was hiding from for most of my life. That was why I was afraid to feel. I knew I would never allow myself to return to hiding. Nothing would bring me back to that scared kid hiding in the dark.

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Finding a new story idea has a fraction of that energy. Ideas come from connecting two tidbits of information you’ve learned. They are two things you’ve never put together before. For example the Earth and teleportation. That’s how this one came along.

 

The Earth is really one big machine that can teleport.

 

And combining Wiccan rituals with technology.

 

Ritualistic technology: A different society of humans with slightly different technology. Wiccan tech fusion.

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Those ideas can grow into something bigger if more thought is applied. The ability to put together two things you’ve never put together before is free association. I personally employ meditation to help enhance free association. Frequently, I ask a question to myself. What are issues average people go through? An idea prompt if you will.  Am I good enough at something? Rock star and nerd. A famous rock star holes up in his bedroom practicing during an after party. I prepared an example from my list of story ideas.

 

For a while, I’ve been toying with the superhero genre. How to change everything that’s going on around superheroes into something I want to write? Combing everyone with powers, superheroes, and aliens experimenting on humans for amusement. I got aliens drop masks across the globe and everyone gets superpowers. Where’s the story conflict? Superpowers make everyone do bad things. One person is trying to turn everyone back. The mask didn’t work for him. He lost everyone he cares about and wants them back. The superpowered want to stop him.

 

I kept expanding and got this.

 

Superhero mask idea #2. Masks fall, everyone gets, everyone keeps. Except one guy the mask doesn’t work on. He keeps looking to figure out how masks work. He was relevant scientist that can reverse engineer the device. The masked put someone on him to stop him from finishing or kill him. Dr. Good set up a dampening field against physical manifestations of strong powers, strong enough to kill. Toxic powers and non-harmful physical changes allowed. Everyone lives in fear of the Evil Eight or some coalition of evil masked. One of which, Scarlet is a shaper, mind hacker, and love toxic. She watches him work trying to kill him with bodies she puts on. She accesses his mind and temporarily becomes them. She turns into his super brilliant PhD student and actually helps. It doesn’t hurt Dr. Good was crushing severely. She gets a kiss and thinks she won. He escapes with an antidote he worked from a sample of her toxin. He gets back to work. Other evils turn up. He watches them outside. They drag him out. Right before he dies, a Mega shows up. Megas are people with prior inclinations and super-super powered so they stop caring for masks, evils, goods, humans, aliens, and life. They’re all powerful and don’t care. This Mega is unfathomably strong. He plucks everyone up to his cloud palace. Masks stop working. Mega turns everyone to help with his mind hacking and shaper abilities. Scarlet helps most as anyone he needs. Mega descends and enslaves everyone. Scarlet falls in love with Dr. Good. Dr. Good defeats Mega, masks, and evils. Scarlet driven insane. Masks bolster each other. With weakened masks, she can’t keep everything straight. Mask has fused to face. Dr. Good turns Mega to save her and almost looses himself. Scarlet brings him down. After Dr. Good becomes himself, Scarlet leaves him. Or maybe she has already fallen in love as herself.

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I wrote a part for book 2, The Trouble With Dreams about my process of choosing what to write in a particular scene. This is a short excerpt from The Trouble With Dreams. One notable difference, meditation instead of LSD.

 

The novel started with Drystan talking on the phone with a flirty client. Michael imagined a boyishly handsome guy of average stature, if a little thin. Melisande from accounts came around for the daily client information pickup. As a security measure, account information was on paper. It was a messy reason for their first meeting. Melisande was new to the company. Drystan was uncomfortable with the new recruit around. Fawn colored hair tied into a ponytail. A soft comfortable face to be around that wasn’t pretty enough to bring on thoughts of insecurity or so dull as to be bland. He felt like he had known her for years but they just meet. Later a fraudulent payee, brought Drystan down to her office. He spent a few minutes with Melisande looking over his shoulder. Drystan felt things he had never before.

Later that evening, they discovered they had been neighbors for a few weeks and never meet. Their relationship evolved into a deep friendship. A few things happened to draw them together, until they were having friendly dinners. A superstrom in Florida, where she was from, and getting locked out of her apartment after getting stuck jogging through a number of rain bursts, among other things. Michael remembered the getting locked out incident.

 


 

Drystan opened the door to Melisande drenched all the way through after jogging. He wasn’t sure exactly what was going on.

“Hi. I need my spare key. I got locked out.”

“Sure.” Drystan got his bunch of keys. “This is the sticky key right?”

“Yes.”

“Do you want help?”

“I really don’t care at this point.”

They walked next door to 117. Drystan dropped to his knees with her right near him. The key went in with some jiggling. A sideways push seated the key. A warm humid presence at his back was comforting. He turned the key with a grunt and the door opened. Melisande went inside. Drystan stood there looking at her. Melisande had removed her t-shirt, hung the dripping garment over her shoulder. With each breath, water dripped down from her equally wet sports bra. The drips smoothed out and rolled off.

“Do you want to come in, Drys?”

“What?” He cleared his throat. “No.” How much he wanted kiss her surfaced, but he couldn’t move beyond his doubts. Drystan thought about what could have been if he wasn’t anxious all time and a better person. He would have kissed her breathless, made her warm, and taken on some of her wetness. The images of what he wanted to do to her flashed through his head. Melisande had tried making the first move, but he freaked out. If he had the desire, she would accept him. He wasn’t ready, and it hurt.

Melisande said, “Thank you for everything, Drystan.” She held his arm.

Drystan wanted the feeling to last, but didn’t have it in him. “No big deal and you’re welcome.”

“Later Drys.”

“Bye.” He couldn’t bring himself to say her name. She shut the door and Drystan left hating everything he couldn’t do.

 


 

Michael ingested the drugged slice of LSD. He remembered the outline. A few more dinners and Drystan suggested they try dating. Getting Melisande to understand the semantic difference took some time. The first few dates happened without much difference. Their second kiss was far from perfect. Their first night together was embarrassing for Drystan. They ended up making out and fall asleep, clothes once removed.

Michael set aside his laptop, closed his eyes, and allowed the drug to take him into the story as Drystan, Melisande, or both. He woke up as Drystan, dressed in something comfortable. Finding her in his bed was freaky and oddly soothing at the same time. He made coffee, something Michael didn’t do in real life. He got the cereal. Then he saw Melisande, putting on the same clothes as the night before. Anything unimportant to the story skipped through. The cereal tasted like nothing except a starchy paste similar to papier-mâché glue. The coffee was good and the breakfast left her bored. Maybe they should go to that place around the corner. She suggested it to Drystan. He agreed.

She showered first. Drys ate his cereal and watched TV to keep his mind off the fact that she was feet away. It troubled him now, even though she was bathing a few additional feet away the day before. It was frustrating he couldn’t take her when she wanted. If he had been more of a man then or now, they would be so much closer than they already were. He was mad at his impotence. Drystan got a glimpse of her dressing through the open bathroom door. It felt exciting and risqué, basically anything could happen. They left the apartment after Melisande made a short trip to her apartment.

Breakfast arrived at the dinner that Michael could see as if he was actually there. Drystan extended his hand to meet hers. He still wanted to feel closer to her, so he moved around to the other side and slide across his plate. Holding hands wasn’t enough. Drystan held her leg and drew circles on the inside of her thigh. Melisande held his forearm in tension. What if someone saw them and thought the worse. She relaxed after realizing she shouldn’t care, in truth, Michael realized it. With breakfast finished, she turned his head for a kiss.

Michael dived into Drystan’s head. His anxiety had taken root and begun to flourish. Worries flooded his head. What if we kiss too long? What if I gag at the taste of food in her mouth? What if I choke on spit? The worries grew more absurd. What if a car dives into the building and we don’t see it coming? What if an Earthquake cracks open the floor and swallows them? What if they weren’t supposed to be together? What if his true love was watching them kiss, and that ruined the possibility of true love? What if I ruined everything with my anxiety? What if I mess up this kiss? The worries swirling around were too much. He had to do something to make it stop.

Drystan slapped her. A small laugh echoed across the back of Michael’s head. Michael agreed it was funny, but did he want it to happen? It worked on a few levels. Drystan reacted to anxiety with a physical response. The slap is an effeminate gesture. He did something against his best interests, characteristic of anxiety, something that’s good in some conditions but generally self-harming. It worked as well as seating the key.

Melisande looked at him, glum and a hand pressed to her cheek. Drystan said sorry, I don’t know what came over me. A guy came up to Melisande, asking if she was okay. Another guy came up to Drystan lecturing him about hitting women. He froze and couldn’t say anything. The guy threw Drystan into standing. The lecture continued. Melisande went around or tried to. She spat out the words Let me go. She came to Drystan and held his arm. Once everything was smoothed out they left the restaurant.

Michael was ready to write something.

 


 

Drystan woke up the next day, forgetting who was sleeping next to him. The second set of breaths startled him. The buzz of worrisome ideas erupted through his head. The thoughts accrued, building pressure to the conclusion that it was Melisande. He turned around to see her sleeping there and felt relieved. The duvet tucked in around her neck gave him a deep longing to be there in its place. Drystan got out of bed and into something clean. By the time he devoured his first bowl of cereal, Melisande escaped the state of sleep. She came to join him in drinking coffee and partaking in cereal, which decidedly tasted of starch decoupage paste.

“Why don’t we go out for breakfast?” Melisande asked, spooning through the cereal mush.

“Sure, it could be fun.”

“That place around the corner work?” She was relieved with his agreement. Getting Drystan out the door, except to work reduced to a battle.

“Yeah, sure.”

“I’ll go in the shower first, my tub drain is choking.”

Drystan eat a little more sugary cereal, trying to keep his mind off Melisande through the open bathroom door. Drystan fixated on his inability to do the deed and give her what she wanted the other night. If he was a real man, nothing should have stopped him from the thing they both wanted. His feelings of impotence taunted him, a jeering list of inadequacies that made his life nothing desirable. He watched TV with her a few feet away bathing in steaming water. He wanted to make her hot, but the water would have to suffice. She was an additional three feet away every single day, but today the proximity was too much. Drystan swore. The TV wasn’t doing a thing for him. He watched it as drudgery with a pleasant view of her dressing through the open door.

Drystan excused past into the shower. It was his turn. Melisande told him she was off to her unit for a fresh change of clothes. They met downstairs and walked over to the restaurant down the block. The restaurant was just as Drystan remembered. Glass block walls, retro dining booths, bare bulb fixtures, neon menu signs, parquet floors, and regulars mixed in with some people they knew. They found an empty booth. The dour waitress took their order.

The food found them sitting quietly and looking at each other. They began eating. Drystan felt cut off from Melisande sitting across the table. A feeling of watching her with no connection whatsoever, she could have been any other woman at that point, and he wouldn’t have felt any different. That wasn’t true. He needed some acknowledgment from her. Drystan stretched his arm out to her. Inching closer, brought them to meet. Drystan felt an immediate reassurance that she was still with him. The feeling fled as quick as it came. He wanted more.

Drystan motioned his intention to sit beside her. With her nod, he switched places. He held her hand at a spot on the bench between them. Interweaving their fingers together became a great thing for Drystan’s self-confidence. There now was something irrefutable about the allowance to do that. They went beyond friendship — not that he didn’t know that — but it nullified the ability for his anxiety to interfere.

Drystan grew more daring and cavalier than he knew what to do with. The warmth from her bare lower thigh called to him, the smooth hot skin inches away. Drystan climbed out of her hand and walked over to her thigh and landed below the hem of her skirt. Drystan satisfied his hunger, unable to think of anything he wouldn’t want to do to her. He needed more but that wasn’t the place. His index finger split off and wandered up her thigh. He took to tracing his finger around in a circle.

Melisande couldn’t believe what Drystan was up to. She had to practically seduce him the other night and nothing came of it. This was the Drystan she wanted then. There was nothing they could do there. She held his wrist tight, but thought naught should come of it. Nobody was looking under there. Drystan kept it hidden, but Melisande was almost driven crazy by the sensation. She wanted him and wasn’t sure about waiting until they got home. She laughed at the feeling. With the food done, Melisande turned his head to her with a smile. They kissed.

Drystan enjoyed it for a moment, before the thoughts returned. What if this was all a big mistake? Something he would regret for life? An unforgivable grievance because he wasn’t ready for her? He wasn’t ready to grow as a man. That relationship wasn’t something he deserved. The guilt of falling for her. The questions grew more illogical and worrisome. What if Melisande wasn’t the one for him? What if he was missing the girl for him right now outside his apartment window? What if a garbage truck tore through the intersection and killed them as they kissed? A kiss of death. What if a massive Earthquake split the ground right below, swallowing them whole? The worries build and grew to immense proportions, making him ready to do anything against them.

Drystan slapped Melisande across the face. The sound lingered in his ears. Melisande looked up at him, her hand pressed to her face. She couldn’t understand what happened.

“I’m sorry.”

She looked worried and held her hand there. Drystan took out his wallet, counted up fifteen bucks, and a guy came up to Melisande. “Is everything okay here?”

That was all he heard before another guy came over to him. “What’s your name son?”

“Drystan.”

“Well, Drystan we don’t treat women that way. Do you understand me?”

Drystan couldn’t bring words to his mouth.

“We have to respect each other or everything degrades to primal instincts. That’s something neither of us want. Speak up son.”

He began poking at Drystan’s shoulder. “We need you to stop hurting women. They deserve respect. Respect keeps us civil. Civility is what we want. I don’t see that here. Say something.” The guy threw Drystan up with his collar.

Melisande was explaining the situation. Seeing Drystan standing there shaking, she tried to get to him. The guy in front of her held her back. “Let me go!” she spat out, laced with venom. The guy let go, startled. Melisande went to Drystan. She was angry with the other guy for saying “bitch,” under his breath, as if she couldn’t hear him.  She held Drystan’s arm, explaining that it was a big misunderstanding. They were fine. Everything was good. The two guys backed away after some additional explanation. Melisande turned Drystan’s head to kiss him and waited for the panic to leave him. Drystan threw his money on the counter. They both left.

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That’s basically the final step in the creative process from an idea to prose. Editing is needed after. I wish I could type faster. I wish I could write more. I have more ability to type than ever before. Maybe it’s enough. I’m thinking of writing a lot of short stories with the ideas I’ve come up with and a book or two. It’ll be fun.

 

GK

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